This hour, when I momentarily expect my release, is the only happy one which I have enjoyed for several years. The forms of the beloved dead flit before me, and I hasten to their arms. - Mary Shelley, Frankenstein
They will never be rid of me! - Baron Victor von Frankenstein, Revenge of Frankenstein
The Revenge of Frankenstein is the second of the Hammer Frankenstein movies, starring Peter Cushing and directed by Terrence Fisher. It is interesting in that it contains no obvious revenge. It is followed by the Evil of Frankenstein, in which Frankenstein does seek revenge, but is not noticeably evil. Go figure. ...continue reading "Revenge of Frankenstein – 1958"
Sadie McGregor looked up from the manifest she had been checking, to see a huge fat man. At first she took him for a glutton, but a closer look told her he was not. Perhaps he had a glandular condition? It didn’t matter. What mattered was the box he was thrusting a standard lamp at her.
"It will take any bulb with a standard Edison screw," she said.
"You sure? I don’t want to have to bring it back."
Sadie looked up from her manifest and gave the man her full attention. His eyes widened, startled and he swallowed hard. This often happened to people on the receiving end of Sadie’s full attention. She stared further into his eyes. His soul was in relatively good shape, other than some mild office pilfering and... ah. A short, doomed affair that he’d never told his wife about. He really should tell her.
Axel sat in the loading dock. It was nearly midday and it was as hot as an oven. A little drop of sweat made its way down his face to the point of his chin. It hung there for a moment, then dropped down to the green collar of his Handy Pavilion shirt, where it soaked into the fabric. Axel ignored it. His eyes were focused on a spot between the Place O’ Pets’ building and a parked truck. He could only see a little sliver through this gap – a busy roadway, and beyond that a small section of concrete wall, painted an unpleasant yellow.
Gwen sipped her coffee in the breakroom that smelled of smoke, but didn't light up herself. She smoked, but she did not care for tobacco. For all his laxness on OHS, Marlon did not appreciate it when anything else was smoked in the workplace.
She drummed her fingers on the plastic table. There was much on her mind. She lived a simple life, and seldom found herself with great moral choices to make. What Pennington offered… It can’t have been the right thing to do. And yet, how could she say no? Legally, Pennington’s plan was probably okay. No law against it – or if there was, it were part of some old law against witchcraft, something that remained on the books even though no one had cared since the dark ages. No, there was no law against it exactly. But there were similar things--modern things--that were pretty damn illegal. ...continue reading "Do It Yourself – Chapter 4: Coffee Break"
I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. – Mary Shelley, Frankenstein
I created a monster, when I created that monster! – Professor Weirdo, Milton the Monster
So far, I’ve been looking at Frankenstein stories that are overtly Frankenstein stories. That is to say, ones that have Frankenstein in the title and a character who is named 'Frankenstein' in them. Of course, that is only a fraction of Frankenstein media. There’s a whole bunch of stories that are in some way Frankensteinian without using the name directly. Some of the stories I have in mind might be debatable, but I think the Milton the Monster cartoon can categorised as a Frankenstein story without too much controversy. ...continue reading "Milton the Monster – 1965"
Overflowing sinks were not supposed to be Wellsey’s problem. The Handy Pavilion was like any other shop, in that if there was a problem with a sink or toilet then a plumber should be called. But Marlon -- cheap bastard that he was -- would generally call on Wellsey to fix leaks in the grimy Pavilion bathroom. Wellsey could and did argue this was not his duty. He was senior staffmember in the plumbing section, sure, but that didn’t make him a licensed plumber -- or even, you know, a competent plumber. Marlon usually responded by glancing around and seeing no customers talking to Wellsey.
“Well, it’s not like you’re busy,” he’d say.
It was true, usually. A lot of customers didn’t like talking to Wellsey. Not so much the tradies, they didn’t mind him. But the middle class mums and dads who came into his section always gave him funny looks. Fair enough, he looked like he was bad news. He was a big man, and even though he was pushing fifty, he looked like he could dish out some damage if he wanted to. A shaven head, a facial scar, a missing front tooth and an armful of tattoos all seemed to confirm the inevitable first impression that Wellsey was a dangerous customer. ...continue reading "Do It Yourself – Chapter 3: The Mystic Spring"
"You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do, and I demand it of you as a right which you must not refuse to concede," -- Mary Shelley, Frankenstein.
"But science, like love, has her little surprises, as you shall see," -- Dr Pretorius, The Bride of Frankenstein
Bride of Frankenstein. It’s just the best, isn’t it? I mean James Whale’s Frankensteinis awesome, but his Bride is miles ahead of it.
In the four years between Frankenstein and Bride, talkies had come a long way technically, making for a less creaky picture. Structurally, Bride is also better, leaving out the long dull interludes between the interesting bits. The actors are in great form. Karloff is at his peak, and the addition of dialogue for his Monster gives him much more to work with. Colin Clive’s Frankenstein is wonderful, alternating between pathetic self-pity and steely determination. Ernest Thesinger steals the show as the camp, malevolent Dr Pretorius. Valerie Hobson does her best with scant material as Elizabeth and Una O’Conner and E. E. Clive do memorable comic turns. But best of all is Elsa Lanchester, who does extraordinary things in a tiny amount of screen time. ...continue reading "Bride of Frankenstein – 1935"
The wood sang its sweet song to Gwendolyn Harper, but for once she could not listen.
Most days, she could hear little else. Her ears filled with a thousand tunes and she was happy. Now there was no room in her broken heart for the joy of wood.
Sunday morning and the crowds were yet to arrive. Gwen worked in the timber section of Handy Pavilion, amongst the vast shelves of potential. Rough long baulks of framing pine, neat thin strips of hardwood decking, huge pallets overloaded with sheets of plywood and MDF. This was her kingdom and these were her people, and yet she would give it all away from one sweet kiss from the man she loved from afar.
Norman, his name was. Norman. Nor-man. New hire. Worked in power tools. He was a young man of perhaps twenty, perhaps less. He had a tufty little beard which didn’t suit him, and yet which could not obscure his beauty. There were tattoos up and down his arms. She wondered how far they extended beneath his shirt, beneath his apron. ...continue reading "Do It Yourself — Chapter 2: A Wooden Chorus"
It was a Saturday morning, and the hot sun beat down on the hardware centre. The centre’s air conditioning struggled to put up a fight, but it was still anyone’s battle.
Axel Plazoff was restocking a shelf of caulking guns, when out of the corner of his eye he spotted a familiar face. It was a handsome face, screwed up in an expression of concentration, and it belonged to a big man who examined the label on a can of exterior varnish with the intensity of a bomb-disposal expert wondering which wire to snip.
'The picture I present to you is peaceful and human, and you must feel that you could deny it only in the wantonness of power and cruelty.' - Mary Shelley, Frankenstein.
'Speak! You’ve got a civil tongue in your head. I know you have, because I sewed it back myself!' – Prof Frankenstein, I Was a Teenage Frankenstein.
I Was a Teenage Frankenstein is not a great movie. It was released in the same year as Hammer's Curse of Frankenstein, and it does not hold up well in comparison. It is shot on minimal sets with a tiny cast. The monster makeup is awful and the acting is second rate at best.
It does however have its moments. I’ve said before, one of the things I like most about Frankenstein as a story is that even a lot of the bad versions have something interesting to say. I Was a Teenage Frankenstein is a good example of this. Under the campy fifties B-movieness of it all is a dark little story of an abusive father and his dysfunctional family. ...continue reading "I Was a Teenage Frankenstein – 1957"