Clocks and Boxes — Part 54: Finale
Night had just fallen as Carl Wintergreen reached the Pyramid. A Greek demi-god, a robot truck, a water-witch were escorting a lady gunslinger off of
Steampunk, Frankenstein, Fantasy soap operas, Leonard Nimoy and More
Night had just fallen as Carl Wintergreen reached the Pyramid. A Greek demi-god, a robot truck, a water-witch were escorting a lady gunslinger off of
We open on some re-enactors in tunics playing with a baby in a Roman style sandpit. Sure, why not. There are some columns in the
Unlike the Bigfoot episode, we actually have a bit of budget here. We see people in Bigfoot costumes on snow and in a forest as
What We Do in the Shadows has to be as close to perfection as comedy/horror films ever have. It’s a film with depth, heart and
We open on pounding drums, flute music, a re-enactment of a sacrifice and Steadicam footage of Mexican pyramids. This episode does right what it says
The Ant Man movies are arguably the lightest and least consequential of the Marvel movies. My cards on the table: that’s why I like them.
I went into this one not expecting to like it. I didn’t care for Jurassic World, and frankly I only saw this one because it
I’ve been looking at my Google analytics page, and I’m not happy with what I see. So in the spirit of flailing to stop myself
We open on a shot of a cross on a hill, presumably swiped from an old biblical movie. We move on to crowds lining up
We open on a reenactmentpolooza as a bunch of people dressed Elizabethan-era English colonists do old timey chores. It’s the Lost Colony of Roanoke, a