'It may appear strange that such should arise in the eighteenth century; but while I followed the routine of education in the schools of Geneva, I was, to a great degree, self-taught with regard to my favourite studies.' -- Mary Shelley, Frankenstein.

'To the best of my knowledge, doctorates are not awarded for witchcraft. But if ever they are, no doubt I will qualify.' -- Baron Frankenstein, Frankenstein Created Woman.

We open on one of the Hammer Frankenstein series' most enduring symbols – the guillotine. A prisoner is being lead to his death, drunken and defiant. He seems fearless and utterly unashamed of whatever act has lead him here – until he sees that his young son Hans is watching. He dies, quiet and glum.

Years later Hans (Robert Morris), now grown up, passes the guillotine on his way to his work. He is assisting the kindly, Gepeto-like Dr Hertz (Thorley Walters) with an experiment. Hertz' partner Baron Frankenstein (Peter Cushing) has frozen himself to see if he can be revived. He's duly thawed and shocked back into life.

I'm alive. Alive!
I'm alive. Alive!

This is what he's up to, now. Finding ways of improving surgical survival rates. The Baron's work has taken a somewhat mystical tern. He's concerned with keeping the soul – keeping it in the body, it seems. ...continue reading "Frankenstein Created Woman – 1967"

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