Open on a moustachioed 1970s-y, who's playing with a film camera. He's investigator Francis Hitchins, and Nimoy tells us he may have recorded the last remnants of a seventeenth century ghost. A wailing noise rises and creepy electronic music plays.
Oh, yeah. This is going to be good. I can feel it. Haunted castles. Leonard Nimoy telling ghost stories! I don't believe in ghosts now. I'd be willing to bet good money that when this episode has finished twenty minutes from now, I still won't believe. But you know what? These next twenty minutes are going to be awesome. ...continue reading "In Search Of… S02E20 Haunted Castles"
Donna cast an eye over the morning deliveries of lightbulbs and sighed. She had never realised just how much work Sadie had accomplished until Sadie hadn't been there. Now, even though business was poor and customers were thin on the ground, Donna could barely keep up with doing the work of her supervisor as well as her own. Marlon had given her extra hours to try to deal with the workload, and Donna's studies were suffering. Still she endured.
She endured because that was what Sadie would have wanted. Sadie never quit or gave in. Sadie's job had been shedding light on her customers, and that is what she had done. She had never wavered, never faltered. Not until the end. Not until she had fallen into darkness. ...continue reading "Do It Yourself: Chapter 54 — Deliver Us Not"
Witch Doctors. So the title makes me cringe, but let's check out the episode. Could go either of two ways.
We open on a Mayan Ritual, in which a patient's 'evil spirits' are lifted by an old woman using a cloud of smoke. In another room a man waves a guinea pig at a woman to help her become fertile. Nimoy states that these rituals seem weird to us, but reminds us that many people around the world seek the help of 'Witch Doctors'.
We cut away to some old black and white jungle movie, but we're told that the stereotype of the witchdoctor promoted in these types of movies differs from actual tribal healers. In the studio, Nimoy lists a bunch of different types of tribal healer, and points out that the term 'witch doctor' was imposed by Europeans onto cultures they did not understand. ...continue reading "In Search Of… S02E19 Witch Doctors"
They sat at a wicker table, just by the plastic jerry cans in the Outdoor Furniture section. Not that long ago, Adam would have chased them away, but even he'd stopped caring. A grim, defensive mood had settled over the Handy Pavilion and customer numbers were at an all-time low.
"It's just that sort of a bloody morning, isn't it? Norman said.
A woman in a white robe walks on the beach while Nimoy narrates the basics of the Illiad. Helen, stolen away, the Greek army comes after, besieges Troy, wooden horse. True story or not?
Interesting question. There's an archaeological site in Turkey that is called 'Troy', and which matches some elements of the Homeric description of Troy in terms of location, size and shape. Is that enough to say that the Iliad is a true story? Is it even enough to claim that it is based on a real story? Let's watch.
Majestic shot of Ionian mountains, mellow electronic music. Nimoy tells us that 'relatively few Westerners to Turkey, these days." What? Seriously? Okay, if this is the level of scholarship we're looking at here, perhaps we won't get a satisfactory answer to our question. ...continue reading "In Search Of… S02E8: Troy"
I usually like to give a fairly thorough synopsis of movies I review, but let's face it: this one is just too damned long. So short version: Joh Fredersen (Alfred Abel) is the leader and architect of a seemingly utopian art deco city. His son, Freder (Gustav Froehlich), is a feckless gadabout who does nothing but hang out in the pleasure gardens. When a woman named Maria (Brigette Helm) brings a group of grimy children into the garden, Freder learns for the first time that poverty exists.
He goes in pursuit of Maria, and finds himself in the underground factories that drive the Metropolis. There he views an industrial accident, and has a vision of the vast machines as a temple to the demon Moloch, and the workers as sacrifices. Horrified, he confronts his father, who turns out to be perfectly aware of the appalling work conditions and content to keep things that way. He's more worried about mysterious plans turning up in his workers' clothes. ...continue reading "Metropolis – 1927"
Seamus the Gnome no longer made his life a secret. He couldn't really. When the full moon rose and brought him to life, he found that there were too many people in his garden section, and he couldn't be bothered to hide himself from them. Besides, one of the late-night gardeners already knew him. Was that his name? Wellsey? Something like that
The old feller wore a plastic safety hat which some keen artist had painted in camouflage colours. He stood in the gap between the impatiens and the camellias, right next to a huge thing of cast iron and bamboo that looked somewhere between an ugly garden ornament and a surprisingly attractive anti-aircraft gun.
Beside Wellsey was a young woman, also in a hardhat, scanning the skies with a pair of binoculars. A young man was clearly also supposed to be watching the skies, but his work here was hindered by frequent breaks to look at the young woman.