Alfred considered holding Delia's hand. The logic was, they were in a deeply unsettling situation and he ought to hold her hand to comfort her. In fact, he strongly suspected that he was more worried than she was, and mostly he wanted to hold her hand because he wanted to hold her hand.
In the end he didn't. With everything he believed to be true being wrung through some cosmic mangle, his fundamental timidity seemed calming. Perhaps more calming than having his hand held by the woman of his desires. Perhaps less. As it stood, he had no way of knowing.
They – Alfred, Delia and Christian – stood outside of normal space. That was obvious. The distances between objects was subtly wrong in ways he couldn't even begin to explain. Time was odd too, moving weirdly as if seconds were trudging through mud while minutes fluttered by like bees. ...continue reading "Clocks and Boxes — Part 20: King"
The trick, Ron had thought, was to find a place too small for his purposes. That was very important. Once the people of this world had discovered that he was in the process of building a missile, they would inevitably search for him in all the places where such work might easily been done. The abandoned factory on Blackwood St or that new building at the Harrison company that hadn't been opened yet.
But Ron had fooled them all. By doing the work on his missile in the share-house room he slept in, he could work in peace. Granted, it made sleeping a little difficult, and his housemates often complained about the smell of C-4 and aviation fuel, but work was proceeding, albeit awkwardly.
We open on a) music with a driving rhythm and b) frikkin' sharks. Nimoy gives a super buildup to the great white sharks, and sharks don't even need a buildup. It's very cool. The visuals are a little ropey by today's standards, but not bad for its time.
Basically, this episode is a documentary on Sharks, sandwiched between the episode on Australian flying saucers and the episode on the lost colony of Roanoke. A lot of it is shot in Western Australia, making me wonder if the producers were trying to get their money's worth when they sent a crew to Australia for the UFO episode. ...continue reading "In Search Of…S04E04 Immortal Sharks"
Hoonworld Auto was having a sale. The Super Centre carpark was unusually noisy, both from the unusual number of cars for a weekday and the extreme volume of their engines. But on a little bench in a quiet corner, Fanaka sat next to the Brownie. Only a few Super Centre customers walked past, most studiously avoiding the man in the dashiki, a circlet of bronze gears around his head and his companion, a metre-high man with pointed ears, dressed in a black corduroy suit and silk waistcoat embroidered with skulls.
"So, I was wondering if perhaps you have seen him," Fanaka said.
Now this one is just adorable. Basically, the episode investigates the 'true story' that the movie 'The Amityville Horror' was based on and somehow comes up with something even crappier than the film 'The Amityville Horror'.
We start with Nimoy narrating over a clip from the movie assuring us that this ghost story is real. Then we go talk to the actual people who claimed their house was haunted, George and Cathy Lutz. They talk about how nice the house was, even though it was the setting of a recent multiple homicide.
The re-enactment of the families eating, hanging a crucifix on the wall and having a priest bless the house are beautifully crappy. I tell you, when a show can make re-enactment of mundane tasks look this awkward, it makes me look forward to the more interesting re-enactments. ...continue reading "In Search Of… S04E03 The Amityville Horror"