Damn I love this series. Last episode: swamp monster. Next episode: Troy. This episode: hypnosis. The modern successors of In Search Of… are multiple season shows, looking at a single subject -- 'aliens', 'ghosts', 'bigfoot', whatever. In Search Of… flits around between different weird ideas between episodes, and different weird theories within the episodes. Just that way it piles idea upon idea is so impressive, that I'm willing to forgive the fact that so many of these ideas are pure nonsense.
Anyway, hypnosis. Got to be honest, I don't know much about the subject. I know medical research into hypnosis has been on-again off-again for ages, but it really took a hit in the '80s with all of that questionable 'recovered memory' stuff. My research for this review consisted of asking a doctor about hypnosis and being answered with a confused look and a shrug. I think that says it all. ...continue reading "In Search Of… S02E17 Hypnosis"
Claudia Lebeau sat across the desk from Ms Shan. Ms Shan sat behind the MDF desk in her little office, her fingers steepled in front of her. The office was small and while it had some very pleasant associations for Mrs Lebrau, right then it seemed oppressive. It was airless and the only decoration was a small brass statute, a dying peace lily and a one of those posters that is meant to inspire but somehow only serve to bring the spirit a little closer to breaking.
"Officially, I can take no action," Claudia Lebeau said.
"I understand," Jasu Shan replied, and it was the worst thing she could possibly have said.
If Jasu had argued, Claudia had arguments. If she'd shouted, Claudia could have stalked off in a huff. If she'd threatened, well, Claudia could have reminded her that she was in no position to make more enemies.
We open on footage of trees reflected in swamp water. Nimoy waxes lyrical about the terrors to be found in a swamp. We're told that an 'experience guide' went into the swamp in '73. "His outing became the stuff that nightmares are made of".
Back in the 1960s that blandest of bland American cultural icons, Archie, was brought to TV as an animation. From that show came a more fantasy-centered spinoff based on Sabrina the Teenage Witch, and spun off from Sabrina came a weird show called the Groovie Goolies. It has two things in common with Archie spinoffs: it's A) not very funny but B) waaaaaay funnier than Archie.
The Groovy Goolies are basically cute cartoon versions of a bunch of different monsters – ghosts, mummies, witches, gouls and what have you. They live in a castle called Horrible Hall, and play in a bubblegum rock band headed by Dracula, the Wolf Man and Frankenstein's Monster. However, these horror elements are all purely decorative. The characters and situations are all perfectly kid friendly, no scares to be seen – in fact, the monstrous main characters were frequently depicted as terrified by perfectly mundane situations. ...continue reading "The Groovie Goolies – 1970-71"
By Harmony Sunshine, owner/manager EarthLife Health Store
Greetings! Unfortunately, Karl Wintergreen who usually makes the newsletter is still in hospital. I hope we are all sending our best thoughts and healing energy to him to help in his recovery. Hopefully, now that he is away from the hateful meat fumes from the kebab shop, he will be able to gather the necessary positivity he needs to actualise his own inner health, projecting it on his broken body. Until he gets back, I'm sharing newsletter duties with Barry from the other health supplement store, the one with all of the big jars of whey powder and what have you. ...continue reading "Do It Yourself — Chapter 49: Newsletter 3"
We open on footage of people jogging. How to achieve immortality 1970s style! Love it! Nimoy gives speech about the inevitability of death. "Most of us will live for a billion heartbeats," he says, which is an interesting way of looking at it. He goes on to say that death is less inevitable than it used to be which… look, things are inevitable or they aren't. It's not a sliding scale.
Sadie McGregor stood by a shower head display and watched Fiona from a distance. The young woman was talking to a customer, an elegant woman in her middle thirties who seemed confused about the differences between sink plungers. Sadie's assistant Donna had been talking to Fiona, talking to her about important things. Matters of guilt and honesty. Crime and punishment.
Light and dark.
The voice belonged to her sister, the severely misnamed Angela.
The Secrets of Life represents the point where I owe In Search Of… an apology.
In the earlier episodes in the series, the show was very hasty to proclaim some new discovery imminent. Atlantis was just about to be found, aliens were just about to be proved, ESP was on the verge of acceptance by the scientific community, and yet here we are forty years later with all of those things still considered eccentric fringe ideas.
In medieval Prague, the learned Rabbi Löw (Albert Steinrück) predicts that the Jewish Ghetto will be threatened by the Emperor, who wants to drive out or kill the Jews. Sure enough, the Emperor (Otto Gebühr) gives just such a decree to his douchiest knight, Florian (Lothar Müthel). Florian takes the message to the Ghetto, falling in (requited) love with the Rabbi's daughter, Miriam (Lyda Salmonova).
Rabbi Löw builds a man out of clay. With the help of his assistant Famulus (Ernst Deutsch), he forces the dark spirit Astaroth to give him the magic word to animate the clay man. This word is placed in an amulet which is put around the neck of the clay man and it comes to life as the Golem (Paul Wegener). The Golem is clearly not happy at being ordered around and knocks Famulus over, but Löw discovers that he can deactivate the monster by removing its amulet. ...continue reading "The Golem: How He Came into the World (1920)"
Fanaka was beginning feel an attraction to Nalda. This bothered him. He wasn't a stupid man, after all. He was a physicist with advanced training in transtempero-dimensional topography, which is about as far from being stupid as you can get. And not being stupid, he knew perfectly well that Nalda was an emotionless, murderous cyborg. He knew that she wanted every human being dead. It was only her perspective as a time traveler that prevented a murderous rampage. From her point of view all humans were dead, she was just waiting for the world to catch up with her memories.
Even if he hadn't known that about her, sleeping on the sofa in her spare room had shown him quite a lot of warning signs. The impossibly neat piles of Soldier of Fortune magazine. The fact that no DVD in her collection didn't have a gun prominently displayed on the cover. The way her kitchen contained two dozen razor sharp knives but no food. None of these suggested a person with a lovable nature.